![]() ![]() "The fear comes from not being able to trust the people you used to know, having to question, 'You've been infected, haven't you?'" he recalled. He enjoyed the thought experiment of those strata breaking down in the face of survival. He drew on his memories of his school days, with strict hierarchies between teachers and students, bullies and the bullied. #Subvert zombie seriesHe wrote a series of web comics from 2009 to 2011 set in a high school in a city overrun with zombies. Last February, when the coronavirus outbreak started in South Korea, Joo Dong-geun was startled to see so much of what had gripped his imagination about zombies play out in the real world. In the South Korean web comic series "Now at Our School," high school students fight off zombies in a besieged city. "It's a society in which you have to be fast to survive," he said. Han said he saw reflected in the ultra-fast zombies in South Korean movies and dramas - in contrast to the slow, ambling classic zombies - the frenetic pressures today's South Koreans face to adapt and get ahead. If you want to live, you've got to fend for yourself." "The country or the society won't guarantee your survival. "It tapped into the dread people were experiencing at the time," cultural psychologist Han Min said. "Train to Busan" was released after two events that shook South Korea's faith in its government: the bungled 2014 rescue response by officials that led to the drownings of hundreds of high school students in a ferry sinking, and the widespread panic caused in 2015 when the government provided little - or inaccurate - information on the spread of Middle East respiratory syndrome. Some of the earliest American zombie flicks by George Romero were charged with the racial tensions of the 1960s or the mindless consumerism of the 1970s. With origins in voodooism in colonial Haiti, zombies have for decades served as a social allegory providing biting (ahem) commentary in the U.S. #Subvert zombie skinThere have been accounts of a private detective, a runaway girl, a king and a grandpa, each with the unmistakable ashen skin hue, unfocused pupils and insatiable hunger for human flesh.Įschewed just a few years ago as a grotesque foreign phenomenon, zombies have since proliferated in the Korean imagination, producing a flood of movies, dramas, novels and even academic works on and about the undead. They've emerged in 15th and 16th century Korean history, cropped up in K-pop songs and videos, and peppered vitriolic barbs exchanged by politicians. They've taken over high-speed trains, swept through densely packed apartment complexes and risen in the demilitarized zone between the Koreas. Lately, it seems zombies are everywhere in South Korea. ![]() A cultural studies scholar and critic who became fascinated with zombies when he was a college student confused about his future in a cutthroat society, he related far more to the hordes of undead clamoring at the door than the living fighting to shut them out. When the time comes, though, he reckons it'd be best to relent and let the zombies feast on him so he can join their ragged, swift masses. Zombies have a thing for cars, and then there's the inevitable gridlock. ![]() He has a supply of canned and dried food, and he has seen enough zombie movies to realize his best chance of survival is to hop on a bicycle rather than get into a car. Kim Hyeong-seek knows what he would do in a zombie apocalypse. A scene from Season 1 of the South Korean period drama "Kingdom," which imagines zombies arising amid famine in pre-modern Korea. ![]()
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